"More than 230 film color processes have been devised in the course of film history, often in connection with photography. Both mediums institutionalized the techniques of hand and stencil coloring as well as toning. Printing methods such as the Pinatype or Technicolor, and screen processes like the Autochrome or Dufaycolor were initially developed in the context of still photography before being used in motion pictures in the 1920s.This ..."
"The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern li ..."
"The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern li ..."
Color Mania(1st Edition) Materialität Farbe in Fotografie und Film (Paperback) von Barbara Flückiger, EvaHielscher, Nadine Wietlisbach Paperback, 240 Seiten, Veröffentlicht 2019 von Lars Müller Publishers Gmbh ISBN-13: 978-3-03778-606-2, ISBN: 3-03778-606-X
"Film ist seit Beginn der Kinematografie ein farbiges Medium und eine bunte Kunstform. Im Laufe der Filmgeschichte entstanden mehr als 230 Farbfilmverfahren, nicht wenige in enger Verflechtung mit der Fotografie."
"Cinema, Art, and Urban Modernity Between the Wars Steven Jacobs, Eva
Hielscher, Anthony Kinik ... In the Amazon region, feature films and
documentaries focused on the production of rubber and the Amazon River. ... as
Rubens Machado Junior has demonstrated, the evocation of a metropolis in the
manner of New York or Berlin was also present in fiction films set in São Paulo,
such as Exemplo ... The film opens with the silence of dawn, ..."
Saefkow-Jacob-Bästlein-Organisation Willi Stoph, Georg Schumann, Personen der Saefkow-Jacob-Bästlein-Organisation, Karl Baier, Theodor Neubauer, Bernhard Bästlein, Grete Groh-Kummerlöw, Charlotte Bischoff, Helene Kirsch, Anton Saefkow, Magnus Poser, Alfred Schmidt von Quelle Wikipedia , Bucher Gruppe Paperback, Veröffentlicht 2011 von General Books Aug 2011 ISBN-13: 978-1-159-30532-1, ISBN: 1-159-30532-3